HELP SAVE WNUR!

Who doesn’t remember driving down Lakeshore Drive and jamming to the underground sounds of their nightly Streetbeat Show on 89.3FM? In my college years at Northwestern University, WNUR was my lifeline to everything electronica, and it has a team of DJs committed to playing the best in underground and underrepresented music on the radio.

WNUR needs your help! Tonight (Monday, February 21st) they are having a benefit to help keep non-commercial underground radio on the airwaves for another year. DJ Sangre and D-VO will be hosting and broadcasting live from the always awesome Chicago institution Smartbar with an impressive lineup that includes DJ Heather, Chris Santiago, Karl & Mark Almaria, Frankie J and DJ Sangre.

1) Can you introduce yourself to us and tell us a little bit about your Monday night shows on WNUR?

My name’s John but I go by the moniker of DJ Sangre (usually with a ridiculously long rolled ‘r’). I’ve hosted “The Fringe” every Monday night on 89.3 WNUR Streetbeat for the last six and a half years. My show is dedicated to the underground house music scene in Chicago, so I spin live house sets and play host to house DJs from around the city.

2) This benefit is to help keep WNUR going for another year. Do you mean just the dance music programming or is the actual station in danger?

The money goes to the whole station. WNUR is a non-commercial completely-volunteer underground-music-only radio station. As such we get some money from corporate sponsors, some from Northwestern University which owns the station, and most of it from listener donations. But unlike PBS or NPR, we only ask for donations one week out of the entire year. The night at Smartbar is part of our week-long annual fundraising drive. And, as an aside, the more money we raise for dance programming, the better we look when it comes time to divy up programming time for the next year…

3) What do you see are the listening interests of your audience at WNUR in general? What is the demographic of your listeners?

EVERYTHING. The funny part is most of the DJs I know who are from the area grew up listening to Streetbeat. And it was as true then as it is now that it seems like listeners are just happy to have underground dance on the radiowaves. Whether it’s house music on Mondays, dubstep on Thursdays, or techno on Fridays, people love to flip it on in their car and jam out.

4) Tell us a little bit about the party! The DJs, what each of their styles are like and what you hope to achieve by the end of the night? What is your monetary goal?

This year’s party is the culmination of four years producing what we’ve dubbed the “Chicago Jack Summit.” The first one was just an hour an a half, and it was just The Sound Republic (Frankie J and John Mork) doing a guest set in the radio studio. The next year we expanded it to include Santiago & Bushido, Chris Grant, Karl Almaria, and Bryan Jones. And the madness has just grown from there. Last year we had 11 DJs and broadcast the show for 5 hours! They all came by and donated their time to talk about what the radio station has meant to them and spun a kickass set in the process.

This year we wanted to take it to the next level, so we worked with Smartbar to organize a live broadcast from the club. It’s the first time I’ve ever attempted something like this, and I’m super terrified/excited. Our goal is double that of previous years ($2000), but now we can add to our listeners’ pledges with the $5 donations we’re collecting at the door. And we’ll have t-shirts available and are even raffling off an iPad! So I’m crossing my fingers we’ll be able to pull it off.

As far as the DJs go, we scaled back the number in favor of giving the DJs a little more set time since it’s a live gig–and they are all doing it completely pro-bono. Heather is back from last year and needs no introduction. She’s a veteran on the Smartbar decks, and we’re honored to have her. Santiago and his producing partner Bushido are well-known for their releases on Potty Mouth Music and tracks they’ve produced with folks like Green Velvet and Colette. Previously a resident at spots like Zentra and Smartbar, Santiago brings a throbbing, ass-kicking sound that will leave you wanting a change of pants. Karl & Mark Almaria are a legendary Chicago DJ duo. They’ve been on the scene for a couple of decades now. Mark, best known for headlining raves in the area and producing technically mindboggling mixtapes, has recently returned to the decks after a hiatus of several years. He and his brother are tagging for a meeting of two great house music minds. And finally, Frankie J is the one the started it all. He’s never missed a Jack Summit and even ponied up his own funds when we were short on donations. His dedication to this scene is unmatched, and his labels Spatula City and Flapjack Records consistently pump out chart-topping jackin’ and funky house hits.

5) Wanna say a little personal message to our readers out there?

Boom Boom Room is and always will be the best spot for house music on Mondays. But if you can tear yourself away for a couple of hours just this one Monday, I think you will be pleasantly surprised… and you’ll be supporting a good cause. :)

Tonight’s party is just a $5 donation to get in, and the entire show will be broadcast LIVE on 89.3 WNUR-FM and online at www.wnur.org. If you can’t make it in person, you can call in your donation while listening and get free stuff! Check out a list of 2011 WNUR premiums soon at www.wnur.org.

And as a special bonus, they will be raffling off an iPad to one of the lucky Smartbar guests.

Smartbar (3730 N. Clark, Chicago, IL)
10pm-4am
$5

Facebook link with info for tonight’s party

In the midst of a blizzard in Chicago, you think of hot things…

So my choreographer has been bugging me to make him a Latin House mix for him to use in his Zumba classes. I looked through my library and came up with these songs, slow to begin with as a warmup, and then fast and frenzied for when he’s probably torturing them with crazy dance moves. A lot of these are oldies but goodies.

Hope you enjoy! :)

1) Latin Seduction (DJ MFR featuring Erika)
2) Costa Del Sol (Rafael “Lego” Rodriguez)
3 Mas Que Nada (Gregor Salto; Erick E Remix)
4) Salsa (Rio Orchestra; Brian Tappert Special Edit)
5) Latin Jazz (Rafael “Lego” Rodriguez)
6) Quiet on the Set (Rafael “Lego” Rodriguez)
7) Lei Lo Lai (The Latin Project; MAW Mix)
8) Babarabatiri (Gypsymen; MAW Main Mix)
9) Block Party (Africanism)
10) Truce (Priscilla Angelique)
11) Batteria (Fabio Tosti & Francesco Tarantini)
12) Damelo (Africanism)

A message to DJs and producers who have been in this game a little too long…

You know that awkward kid who greets you with indefatigable enthusiasm and hopes for even a nod of recognition? The one who knows your achievements, who can recite every song in your discography, who sweats you a little too much? He treats you like a God and you can only shake your head in dismissal at what a lame he is. Well that kid is our future. And he’s going to kick your ass one day and leave you in the dust.

Many times you get inundated by lots of budding producers with plentiful material, some not quite ready for the masses and yet they push on hoping for a review, a well-named DJ to play it or even for a handful of positive comments on their Soundcloud page. As an editor it can get a little overwhelming and tiresome dealing with these extras in the midst of a heavy workload of interviews, meetings and the general running of day to day life. Personal emails and multiple Facebook inbox messages implore you to critique their new track, and lord knows how many god-awful promos sit in your inbox!

But in the past week something changed the way I look at things. I was in the presence of a number of well-known DJs, producers and artists of yesteryear who are still living in the glory of their past. They were old (in spirit), bitter and still expecting the same accolades and treatment as if we were inhabiting a time machine. Well I have news for you. In the past 15 years that you have masturbated to your past, the world of House music has moved on every single second-minute-hour-day-week in all those years that you have sat on that ass that you’re expecting everybody to kiss!

Do we respect you? Yes. Do we recognize all the hard word you had put in and the groundwork you have laid out for future generations? Absolutely!

But like grandpa in the rocking chair remembering the good old days, belittling the new generation is not very becoming. These talents are just as hungry as you were, made the same mistakes you did and are carving out a path towards unique artistry for their future generations to look upon.

And you know what? These kids are on their shit. They handle their business like true professionals and take nothing for granted. Guaranteed, a lot of them are going to be moving up in the game, getting charted, getting gigs overseas, getting distribution and making a name for themselves.

There are too many entitled people that have been in the game for too long, and the number of years you’ve been in it doesn’t guarantee you SHIT. So stop knocking the new guys down and lift them up instead. Encourage them, help them, say something nice. For 2011 let’s friggin’ help one another so we can all move up. Otherwise you can sit back down in your rocking chair and watch the kids pass you by.

DJ RUSH BIRTHDAY PARTY = INSANITY

For the third consecutive year at our Thursday residency URBAN’S HOUSE at Betty’s Blue Star, DJ Rush celebrated his birthday. Currently residing in Amsterdam, he once a year comes home to visit his family for the holidays. And how fortunate we are that Rees Urban and him have had a long standing working relationship together (from both European tours to production work)…that we get to have RUSH, who for some reason has the power to make people go completely insane.

I remember walking in around 2am into an oscillating, palpitating dancefloor with people shoving each other, bellowing and doing all manners of ritualistic behavior that I honestly thought that they might sacrifice Rees. I was impressed that I managed to cross the dancefloor without being flung against the walls that’s how intense it was.

Check out the party footage as well as the DJ RUSH LIVE SET RIGHT HERE RIGHT NOW!

The Quickie Guide to Getting DJ Bookings

I’m in an ADD kind of mood, which means lists are looking real good to me right now. This topic is severely played out, but given that I’ve thrown my fair share of parties why not put in my 2 cents on what HELPS to get a DJ booked. (From my perspective.)

1) Have one or 2 mix CDs ready to go. TRACKED. LABELED. One track CDs with magic marker don’t cut it.

2) Have a business card always on hand. The bullshit line “I just ran out of business cards” is on par with “It’s not you it’s me.”

3) In order to get booked, you have to be SEEN. Show up at people’s events, network, socialize. If there’s a night that you would like to play at, then go out and support it. Pay the cover. Buy a drink. Say hello to the promoter (but don’t bug.)

4) Tell the promoter ONCE that you’d love to play for her/him should there ever be an availability. Approach it real laid back without any kind of imposition. Don’t make the promoter uncomfortable with your nagging. If you notice the promoter tiptoeing away from you then you’re being a pestering pablo.

5) Online threats (which we’ve gotten) about having to book you will definitely not put you on the DJ Top 100 list. It’s childish, ghetto and ultimately lazy. No one owes you a gig.

6) Have a Soundcloud page. A Podomatic page. Your own personal DJ website. A press packet. (Spell check please kindly.) The more professional you look, the more on your shit you are, the more equity you have.

7) Have mixes that show your versatility. You may have a certain style, but all of us have a little of this and a little of that in us. You could have a soulful mix, a disco mix, a jacking mix, a classics mix, an electro mashup (oh how that pains me to write that), you get the gist.

8) We’re fortunate that we’re at an age where anything can be disseminated to thousands and thousands of people via the internet. Get a podcast or a regular show on UStream and slut the hell out of it. Yeah everyone and their mom is doing it but you’d better get in that game because you’ll have a better chance of being noticed instead of sitting at home doing nothing.

9) Facebook and Twitter are your friends.

10) Have friends. Friends that will come and support you when you do get that gig. Because you may be the best DJ in the world but if you play and no one comes to see you, then the promoter may think twice about booking you again.

11) Be good. When you play. Duh. But also have friends. I said that already.

12) There could be a whole host of reasons why a promoter doesn’t book you. Maybe your style just doesn’t suit what they’re looking for. Maybe they have to book a whole bunch of DJs before you. Just keep it moving because you have myriads of options.

13) Patience, patience, patience! So your DJ schedule is a little dry right now, so what? Bang out those mixes, keep at the podcasts, make music, find more contacts, send out those press kits. Spread that net as wide as you can and keep at it!

What won’t get you a gig? Sitting around and complaining about all the reasons why you don’t get booked. Do away with bad skin and be ProActive.

14) Be nice. Assholes are no fun.

15) START YOUR OWN NIGHT. Seriously. So many major DJs have stressed that this is how they eventually made their name. If no one is going to book you, then book yourself! There must be thousands of bars and lounges in Chicago…go online…look in the phonebook…start your own night.

(I remember about 8 years ago I looked up a bunch of listings of clubs in UR Magazine and called each and every one of them until one of them gave me my own Wednesday night at Trace. All my dancer friends came up there and it was our own little spot. That lasted a good 2 years!)

And you know what? Your night might not go well. Chances are the bar owner might cut your party after just 2 slow nights. So you go find another bar. Team up with another DJ who may have more resources. Keep hustling.

*The most crucial ones are #3, #10 and #15.

*side effects of this advice might be pain, nausea, irritability, desire to write a long Facebook rant, inspiration, disdain, hope, lightbulb moments and/or all of the above.